K.R. Copeland is a
Guilt Induced Riff with Eyeballs and Fish
I sew the mouths of trout closed, mount them
stiffly-finned upon the wall, recall how long it took
to pry the hooks loose. All I know,
ice melts more slowly when it’s cold out.
A hole may house a rabbit, mole, or bear.
An eyelash is an eyelash, is a hair. Not much
to go on. A thread embeds itself in needle’s orb
with pushy fingers, while shaky fingered figures
miss their mark. The light is just the dark
in different order. I border on the balance of success.
A mess unviewed is tidy, dead are spry. A shriek could be
a gleeful guttural or else a menace. A kennel is a kernel
if a typo is at play. What I mean to say, is look
at who is looking. Tattoo your eyeballs’ likeness on your lids.
Blink and make believe the still-gilled fish are half-alive and smiling wildly.
(Previously published, Wicked Alice)
The Law of Very Large Numbers
“With a large enough sample, any outrageous thing is apt to happen”
Persi Diaconis, Frederick Mosteller,
I draw my thoughts out in long lines, word after enervating word as if trying to catch a fish
(Previously published, Stirring)
Evolution of the Shadow Frog
Shadow frog, your tadpoles in a bubble nest begin
with fish-like fins, soon muscled limbs will flight them.
The urge to get ahead will spread, fur-bearers will shed fur,
pursue the attributes our future’s newts have.
Land will swim and all the wakeful things will fall from logs, asleep.
Be raucous frog, and cause this boggy creek’s stir.
Leap tetrapod, from lily pad, unclog these muddy waters,
I’m below you slowly counting to one hundred.
(Published in Cranky September ‘04)
Man’s mind stretched to a new idea never goes back to its original dimensions.
Oliver Wendell Holmes
The Scope of a Couple Dopey Humans or Equestrienne Retrospective
We will ride off into the sunrise
after a night of full-blown gallop,
walk, trot, gallop.
Four stirrups full of feet, a sheet of daylight, no right way
to turn, a burn, no, more a thirst, for chronic knowledge.
We’ll reach the edge, drink tonic
from a trough meant for your fetid hogs,
find a dog-door, crawl through
slews of poisoned windings. Sighting seems much better
crouching on the outside, spying in;
One hundred high-strung horses in the barnyard of your brain,
a gate of words, a needle in each haystack.
You used to be a beekeeper
alone with all the honeycombs and drones in
Beehives lined your balcony like low-strung amber lanterns.
Near-silence buzzed your brain like homemade wine.
The quicker wing-beats set your mind to dancing
the slower led your mind to just recline.
You imagined what it might be like to suck the wow from flowers,
how powerful to pollinate the land. An extra stomach wouldn’t be bad, either.
But you were neither honeybee nor beetle, you were human,
a sad, impassioned insect-loving man. Nobody by your side to share
the sweetness, to lick the sticky richness from your hand.
You decided to leave life, fly off, you went completely mad,
grabbed a gun, blasted a bullet through your head.
You didn’t set your bees free first you didn’t say goodbye, instead,
three tiny glubs of grub-soft vowels cowered from your mouth, espoused the sky.
©Copyright 2006 K.R. Copeland
1 comment:
Hi K.R.; this is Kathy your friendly visitor at Bakers Square-the other artist! Your work is intense. I ready quite a bit, but didn't understand alot of it, it is above me or something. But I can tell it is talent and oh so very different. I saw all the publishings you have make, congradulations. You are a celebrity you know. Unbelieveable things we do not know about a person-their hidden talents. I want to check out the digital stuff now!!! Poetry is not my thing, that is probably why I don't get it!! Koodos!!!!
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