20 February 2010

Featured Poet: Jacob Saenz

Bookmark Found in The Works of Walt Whitman



As usual my brother & I are glass-eyed & smiles,

talking about our desire to stop smoking pot

when I decide to pull the book off its shelf.

Before I hand it over I brush some dust

off Whitman’s hat & beard like ash,

finger through pages & find a bookmark

care of the American Cancer Society.

“How appropriate,” I say when I give it to him.

He sees the picture of girl’s face

with cheeks round as apples, eyes dark as tar

looking for a cure for cancer.

The caption under her face reads

Best Tip: Don’t Start.

He laughs, accidentally loses his hit, flips

the bookmark over & reads the fact

that smoking kills more people every year

than car crashes, AIDS, & bloody murders combined.

“If that ain’t a wake up call, I don’t know what is,”

he says as he tightly packs another bowl,

takes a deep puff & exhales

like an ancient dragon’s last breath.






within the lair



the wire the buzz of the joy-

stick in hand winds the heart

to heroic to strike first & hard

with fist or paw


nail or claw into the scaly

sleeping beast on its bed

of gold that glint off our swords

& blind us briefly


unlike those bones piled

high in corners clutching

rubies like hearts our champions

hunt the heads that hide


within the lair the dark behind

sharp teeth of greed & the grip

of a shard of power a share of

a legacy hard to let go of






[the train rumbles]



the train rumbles

as if on a road eroded

w/potholes & sewer tops

not paved even & smooth


the swerve of curves & bumps

lumps our bodies together

packed from front to back

over tracks cracked & rusted


the rush to get home trusted

to rails too old to hold the weight

of our bodies as we wait to move

beyond this standstill & will


the pols to find the funds

to keep fares fair enough

for families just trying

to make it home





Memorial Day at Coney Island



The beach is littered w/towels

& toys, girls & boys screaming

in the water & the lifeguard

whistling at those too far out.


The Marines pull up in a Hummer

(red like blood that’s shed)

& in fatigues & boots they set up

a booth to test & challenge the youth


to pull-ups: a build up of the corps

in front of a crowd chanting

numbers as one shirtless teen

struggles to reach twenty.


On the pier we sit near rows

of fishing rods that lean on rails

& the men who wait for a jerk

to work the reel & pull in a good


catch: a fish that flops on the wood

wet & white & silver in sunlight,

a fish that sells on the sly

wrapped in a black plastic bag.


The crabs caught get their legs

torn off by bare brown hands

that crack open their casing easy

as eggs so the meat shines through


the muddy shell & the steel cage

they’re placed in as we watch

& taste the two dollar beer

we bought out of a backpack,


a savings of a few bucks

from the cups sold on the walk

& just as cold to chill the sun

beating & burning our backs.






Jacob Saenz is a graduate of Columbia College Chicago where he served as an editor for the Columbia Poetry Review. His work has appeared in RHINO, Inkstains, Buffalo Carp, Paramanu Pentaquark and Poetry. He has been nominated for an Illinois Arts Council Literary Award. He works at a library.




© Copyright 2010 Jacob Saenz

13 January 2010

Featured Poet: Julia Drauden

Girl from prison city



locks her
doors don't go
Eastside
after dark
deadbolts
click in slide
out asks
Daddy for
mace honey
that's illegal
keychain
pepperspray
even West
turns rocks
over like words
hide-a-key
forget you
saw one eye
over her
shudder wants
a gun but
it's so unfem
Rink's sells
pink pistols
now license
alarm set
locks her
doors even in
drive East
side mural
chipped smirks
at television
renting out
old prison
mocked $40
Halloween

admission
distrusts eyes
both sides
even blue
dawn looks
barbed






X0XO, Helen Adam



I l0ve my l ve with a capital X

at the top of an hour: beginning

equals ending and alphabetic

scrambling

too many letters, not enough words

hailstones from a keystroke storm

unzip these steady

lips

L0ve is full of h les:

the difference between

O and 0 just a matter of width

the letter starved or squeezed

an Opening becomes a hole

a bracelet a c0llar

a m uth to feed




© Copryright 2010 Julia Drauden


16 December 2009

Featured Poet: Nick Demske

THE BRIDGE


Now this product here should have been recalled p
Ages ago. Nothing a little duct
Tape won’t fix, right? But lo! Besight thy barometer lect
Ures, these intimate sui-soliloquies.

No animals were harmed during this poem’s composition.
However, outrageous scores of humanoid abortions at its unveiling.
This shouldn’t have happened, this. Self-fulfilling
Prophecy in the sense of chronic masturbation.

We give away the punch line in our first
Mortal utteri. What did you expect
Orate? And now, forecasted or not, the bats
Storm the belfry, the thunderheads clap, the dingle-flavored berries, uncle-climact

Ick, narcotica prissy self-gratified non-prophet:
AWE SHIT!




IN THE STACK OF EMPLOYEE SELF-EVALUATIONS


How like you these mine pre-rejection note gathereds
Unblotto auto bi ogreaphy hazards?
How like you mine glamour shots? Loosely tied robe
Peaking leprose decreprose in patrol car strobe

Twilight (cuff me officer, make Me make
no sudden movements). How like you—this discontinued Merchandise!
Slight resemblance in the sinews,
The faulty parts that will one day cease to shake.

I have been squeezing this rock for two
Decades plus, but no water. Just pus
And this gangster-rapper-thank-you-curtsey.
I had been squeezing this rock for you
Stranger, God, etc. My work has bound me thus:
Collected, selected, forgotten. And thirsty.




AS A DOG RETURNETH TO HIS VOMIT


On my mother’s grave. On all things holy.
On my first born child’s virginity. On the rebound, Nick Demske—
You smell like Lazarus returning in the form of
A cyclical argument. You smell like protesters burning Mein Kampf.

I promised myself I wouldn’t cry. I stuck a needle
In my eye and all I got was this lousy needle.
In my eye. Please continue to hold and your prayer will
Be answered in the order twas received. Well

Look who’s crawling back to the question for forgiveness,
Take a look at relentless repentance. Just one won’t hurt. I promised
Myself I’d stop writing poems. I broke that promise.
I line broke that promise. I enjambed that promise

So far up the Muse’s tuchis he still shits shards of meter. I drink from this vomit,
I’ll barf in this vomit. I poured every last drop down the sink. I promise.





HALF-FULL BEDPAN
for Valerie Laken

Generosity makes me uncom
Fortable. Their disfigurements make them collectable. I am in love with you or some
One not unlike you. Everyone and their mom
Must go. Go demagnetize your moral com

Pass, go prepay after dark, sanguine. If everybody were handicapped,
We’d treat everyone like handicapped
People. If I paid taxes,
I could write this off on my taxes.

The defendant pleads guiltier than you or I could imagine, your honor. There’s snow
In my mailbox. But it, too, will melt. Nick
Demske, you have kissed two girls in your life and one
Has since become a lesbian. The other died on impact.

Ah Life! You hander of lemons. Never foreseeing their juice
Would quench your papiris lacerations thus.





PLAY DEAD
Virginia Tech, April ‘07

Please take a moment to silence all cell
Phones for this moment of silence. Please tighten all
Shock collars, pick up all feces. Life is man’s best friend, demur
Ely waiting to be put to sleep. Behold, the perfect credit score. Behold, the super

Model citizen. I had a breakthrough in therapy today, which cost
A little extra, like all things convenient. Life is the slowest
Death. Death is the slowest

Dance of the super senior prom. Hold me close.
Woof. Nick Demske, you exclusive interview with the ghost of Kerberos,
You are stomping out a self-ignited bag of shit
You are explicitly gasted with

Flabber. Your house training’s abhorrent. Sit. Stay. Beg for one last chance.
Cash or Credit? Is this seat taken? May I have this dance?





Nick Demske lives in Racine, Wisconsin, and works there at the Racine Public Library. His self-titled manuscript was awarded the Fence Modern Poets Series award and will be published by Fence Books in fall of 2010. His work has appeared or is forthcoming in Action Yes, Sawbuck, Pinstripe Fedora, West Wind Review, Weird Deer and the e-anthology narrative (dis)continuities: prose experiments by younger american writers (Recycled Karma Press, forthcoming), among other places. He helps curate the BONK! performance series in Racine and is the editor of the online forum boo: a journal of terrific things. Visit Nick sometime at his website.

© Copyright 2009 Nick Demske