Photo credit: street performance of Walking Poem, downtown Chicago, 10/25/06, photo by Daniel Mejia
Jennifer Karmin is a poet, artist, and educator who has experimented with language throughout the
bananas keep us all alive
i have a dog
i have a cow
i don’t eat meat
i have no food in my apartment
is not catholic
i am not catholic
am raised jewish
in a suburb where
almost everyone was catholic
but me
mom was catholic
was put in a convent
when her mom died
she was four
was afraid
did not like nuns
they did not believe
what she said about her father
catholic is christ
is a man
first a man
many people could believe/know
the same thing about god
answer creation
rules of society
why it’s raining
you are hiking
in bryce canyon
no water
no people
no roads
a rattle snake
red dry hot stony
take off your shirt
and wet it in
the little bit of water
left in this stream
kill bison
kill indians
build roads
build railroads
we can move on we can move on
we do not need to know
we do not need to think
yellowstone is roads
is 30 people taking pictures
of a lone moose
that has stumbled towards
the road
we drive through the park
not a forest
i spent $326 on monday
to fix my car
i bought a couch
for $20
i am slightly dyslexic
i hate math but
i think algebra is ok
knowledge of self
of others
to know how i work
to feel like i am doing something
to get by
to travel
to buy groceries
to buy a new pair of socks
you don’t know
i have been lucky
or gertrude and i go to the beach
crabby crabs
the sea the ocean
found paper
you and me
we got crabs for a favor
i’m the favor
for you and me
to write right (?)
crab me a parchment with a favor
your favor has crabs
on my parchment
to favor (she)
to crab (he)
to parchment
you and i and a crab
i favor the crab i favor me
your parchment
(non-gendered pronouns)
to favor
your crab
to write on parchment
to keep in the sand
with the crab
for a favor
for me
buried away
Editor's Note: Poems were previously published in the chapbook Myth of Me (ragamuffin press), a project funded by the SUNY Buffalo Poetics Program through the Samuel P. Capen Chair (Robert Creeley) and the Melodia E. Jones Chair (Raymond Federman).